“The Kapotte Muziek By… series is a project setup by Frans De Waard, Roel Meelkop and Peter Duimelinks, who pass on archival material from their Kapotte Muziek collaboration to a number of leading of contemporary artists for reworking. This time Stephan Mathieu takes the helm, serving up a twenty-one minute piece exploring some of the more extreme timbres you could yank from a computer’s hard drive. Billed with no small amount of irony, ‘A Microsound Fairytale’ is a crisp and precision-crafted beast, manifesting itself as a spluttering rainbow of digital noise that’s more comparable to work by the likes of Florian Hecker and Russell Haswell than the more customary blissful electroacoustic pieces we’ve become accustomed to from this artist. It only goes to confirm Mathieu’s brilliance as a sound designer/engineer and composer that despite the fairly radical shift in musical style he still manages to mix with the very finest in the field. Extreme stuff, but there’s no malevolence behind this onslaught and there’s still something essentially very beautiful about it all.”
Created especially for the Cosmocaixa Planetarium, Constellations is an audiovisual project by Stephan Mathieu and Caro Mikalef inspired by the music of Antonio de Cabezón, one of the most important Renaissance composers of keyboard music, who was born 500 years ago this year. The roots of the project lie in Stephan Mathieus Virginals series, a set of contemporary works performed with historic media and early instruments.
For Constellations, Mathieu and Mikalef will utilize electromagnets to set the strings of a harpsichord into continuous vibration. By expanding the natural sound of the instrument using magnetic fields, the resonating strings generate harmonically rich sonorities that gradually fill the planetarium space with overtonal patterns.
To frame the piece with a prelude and coda, harpsichordist Carles Budó will perform special interpretations of original music by Antonio de Cabezón (who composed by applying theories of astronomy) on a second instrument, creating a dialogue between the work of the Renaissance composer and Stephan Mathieu and Caro Mikalef’s take on sound.
Another protagonist of the performance is a slowly spinning, purpose built mobile, constructed with optical lenses, mirrors, color filters and metal discs, which projects, illuminated by HMI spotlights, a series of subtle light forms onto the planetarium dome. Spectral light, reflections and shadows will constantly reconfigure, alluding to the constellations that give the piece its name.
The mobile is created with generous support by Carl Zeiss.